art

As a software artist who is focused on 'bridging the gap between end users and engineers' I have always found it necessary and worthwhile to explore the 'materials' that I work with. In doing so I can better control the emotional impact of an application on the user: the more I know about how the technology ticks, the more I can coax an application into being a pleasurable experience for a user.

As a software artist I am a beast with two heads. I am an artist by compulsion and I am a software designer/engineer both by choice and sheer determination to understand technology. Most people tend to address one head or the other, depending upon whether they meet me first as an artist or as an engineer. Some colleagues grasp the nature of my hybrid approach and they are a pleasure to work with. Some never grasp it at all.

My friend Bill Sweetman has just concluded a gig at a large advertising agency and one of his last undertakings there was a recently launched web project entitled 'Aesthetic Intent: Where There's Passion, There's Beauty'. Bill is a very creative guy who knows a lot about aesthetics and how to work with the web as both an artistic 'medium' and as a business t

For a few weeks now my left brain has been absorbed in the details of implementing a client's web site. Being wedded to a tight deadline and having already done all the loose, creative design stuff, I'm now focused almost exclusively on solving the challenges of writing computer code in what is still a new territory for me. It's a great way to get to know the nitty-gritty details of how to build a modern, 'AJAX driven' web application.

A curious bit of personal history came to mind after I read Rachel Clarke's blog post about an online game (SaveMyHusband.com) which is based on a fake kidnapping. Rachel picked up on my 'We Were Framed' post in which I explain how we use 'frames' to distinguish the real from the fake.

This is fun!